



b. 379
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composition: (Op. 4), Sonata in C minor, Mvt IV
..
In the main text we keep the position of the sempre ben marcato indication under the L.H. part, as it is in A, although it is difficult to assume that it concerns L.H. only. On the other hand, if Chopin had wanted to put it over the R.H. part, as it was reproduced in GE (→FE,EE,IE), he could have easily done it, which means that he carefully thought out the position of the indication. category imprint: Differences between sources issues: GE revisions |
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b. 379-381
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composition: (Op. 4), Sonata in C minor, Mvt IV
..
In the main text, we do not include the inauthentic fingering added by EE. category imprint: Differences between sources issues: EE revisions |
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b. 383-384
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composition: (Op. 4), Sonata in C minor, Mvt IV
..
The typical position (after a note) of the three marks resembling accents visible in A allows us to consider them long accents, although the marks themselves are closer to short accents. This is how they were reproduced in GE (→EE,IE). It is difficult to say why the first two accents were changed to short ones in FE. category imprint: Graphic ambiguousness; Differences between sources issues: Long accents , Inaccuracies in FE |
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b. 383
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composition: (Op. 4), Sonata in C minor, Mvt IV
..
In the main text we provide the A tie, clearly at the pitch of c2. The fact that in GE (→FE,IE) it was assigned to the middle notes of the chords (f2-e category imprint: Differences between sources issues: EE revisions , Inaccuracies in GE , GE revisions |
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b. 383-384
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composition: (Op. 4), Sonata in C minor, Mvt IV
..
In the main text, we do not include the inauthentic fingering added by EE. category imprint: Differences between sources issues: EE revisions |