|
b. 272
|
composition: (Op. 4), Sonata in C minor, Mvt IV
..
In the main text we suggest supplementing pedal markings in accordance with the Chopinesque indications in analogous bar 266 and 268. The mark added in GE (→FE,EE,IE) corresponds to the version of the editions in bar 268. category imprint: Differences between sources; Editorial revisions issues: GE revisions , No pedal release mark |
||||||||
|
b. 272-274
|
composition: (Op. 4), Sonata in C minor, Mvt IV
category imprint: Interpretations within context; Differences between sources issues: Accidentals in different octaves , GE revisions , Inaccuracies in A |
||||||||
|
b. 275
|
composition: (Op. 4), Sonata in C minor, Mvt IV
..
In A there is no accidental to the 2nd R.H. crotchet. The inaccuracy was removed in GE (→FE,EE,IE) by adding a category imprint: Interpretations within context; Differences between sources issues: Accidentals in different octaves , GE revisions , Inaccuracies in A |
||||||||
|
b. 276
|
composition: (Op. 4), Sonata in C minor, Mvt IV
..
The A slurs were almost certainly divided due to graphical reasons – Chopin would generally write slurs on the side of noteheads, often at the expense of accuracy, cf., e.g. I mov., bars 179-183. The fact that this version was left in A allows us to assume that Chopin considered both variants of slurs to be equal, hence in the main text we provide the continuous slur of GE (→FE,EE,IE). category imprint: Differences between sources; Editorial revisions issues: GE revisions |
||||||||
|
b. 276-278
|
composition: (Op. 4), Sonata in C minor, Mvt IV
..
One could understand the omission of the dots in GE (→FE,EE,IE) – in A they are written close to the octave sign (consisting of dashes and dots), hence they could have been easily confused with it (particularly the one in bar 275). category imprint: Differences between sources issues: Errors in GE |
in 
3. They were added in 
to the bottom note of the bass octave, which was also supplemented in 
