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b. 370
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composition: (Op. 4), Sonata in C minor, Mvt IV
..
In A the accidentals are only next to the first two quavers in the bar. The typical inaccuracy was clarified in GE (→FE,EE,IE). category imprint: Interpretations within context; Differences between sources issues: Accidentals in different octaves , GE revisions , Inaccuracies in A |
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b. 371
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composition: (Op. 4), Sonata in C minor, Mvt IV
..
As in bar 5, in A there is no category imprint: Interpretations within context; Differences between sources issues: Omissions to cancel alteration , GE revisions , Errors of A |
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b. 371-372
|
composition: (Op. 4), Sonata in C minor, Mvt IV
..
In the main text we suggest adding wedges over the first notes of the quaver groups after analogous bars 5-6 and 188-189. category imprint: Editorial revisions |
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b. 373
|
composition: (Op. 4), Sonata in C minor, Mvt IV
..
As in bar 7, in the 2nd half of the bar there are no accidentals in A, while the sharps raising all f notes (in different octaves) to f category imprint: Differences between sources issues: GE revisions |
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b. 373
|
composition: (Op. 4), Sonata in C minor, Mvt IV
..
In the main text we include the arpeggio added in GE (→FE,EE,IE). It is difficult to assume that Chopin would have omitted it on purpose here, as he marked arpeggios both in a few previous chords in this phrase and before a respective chord in both previous appearances of this theme (bar 7 and 190). category imprint: Differences between sources; Editorial revisions issues: GE revisions |
restoring B
on the bottom note of the chord in the middle of the bar. Chopin's patent mistake, considering the context, was corrected in 
2, f
), f1, f suggested by the editors
