



b. 345-346
|
composition: (Op. 4), Sonata in C minor, Mvt IV
category imprint: Differences between sources issues: Errors in GE |
|||||
b. 345-350
|
composition: (Op. 4), Sonata in C minor, Mvt IV
..
In the main text we reproduce the dots visible over the e2 crotchet in bar 345 and f2 in bar 350 as staccato marks. However, this interpretation is uncertain, particularly in bar 350, in which the mark is not in line with the note; actually, it is quite far from it, hence it is likely that it is just one of the accidental ink flecks, which are numerous in A. None of these dots were included in GE (→FE,EE,IE). category imprint: Graphic ambiguousness; Differences between sources issues: Errors in GE , Inaccuracies in A |
|||||
b. 346-350
|
composition: (Op. 4), Sonata in C minor, Mvt IV
..
In the main text, we do not include the inauthentic L.H. fingering added by EE in bars 346 and 350. category imprint: Differences between sources issues: EE revisions |
|||||
b. 347-348
|
composition: (Op. 4), Sonata in C minor, Mvt IV
..
In A there are no accidentals defining f category imprint: Interpretations within context; Differences between sources issues: Accidentals in different octaves , GE revisions , Errors repeated in GE , Errors repeated in EE , Errors repeated in IE , Errors in IE |
|||||
b. 347-348
|
composition: (Op. 4), Sonata in C minor, Mvt IV
..
In the main text, we do not include the inauthentic fingering added by EE. category imprint: Differences between sources issues: EE revisions |