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b. 43
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composition: (Op. 4), Sonata in C minor, Mvt II
..
As in bar 11, of which this bar is a non-written-out repetition, in the main text we provide the A slur. The fact that the slur was shortened and doubled in GE (→FE,EE,IE) was an arbitrary decision of the GE1 engraver/reviser. category imprint: Differences between sources |
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b. 44
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composition: (Op. 4), Sonata in C minor, Mvt II
..
The missing dot in EE is most probably the engraver's oversight. category imprint: Differences between sources |
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b. 45-46
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composition: (Op. 4), Sonata in C minor, Mvt II
..
As in bars 13-14, of which these bars are a non-written-out repetition, we interpret the 4 staccato marks in A as dots. We consider the wedges used in GE (→FE,EE,IE) much less likely. category imprint: Graphic ambiguousness; Differences between sources |
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b. 45-46
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composition: (Op. 4), Sonata in C minor, Mvt II
..
As in bars 13-14, of which these bars are a non-written-out repetition, in GE (→FE,EE,IE) the category imprint: Differences between sources |
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b. 46
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composition: (Op. 4), Sonata in C minor, Mvt II
..
As in bar 14, of which this bar is a non-written-out repetition, the missing accent in FE and EE is most probably due to the engravers' oversight. category imprint: Differences between sources |
in bar 46 in 
