b. 32-42
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composition: (Op. 4), Sonata in C minor, Mvt I
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In the main text we omit the inauthentic fingering added by EE in bar 32, 35, 37-38 and 42. category imprint: Differences between sources issues: EE revisions |
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b. 37
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composition: (Op. 4), Sonata in C minor, Mvt I category imprint: Interpretations within context; Differences between sources issues: Omissions to cancel alteration , GE revisions |
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b. 37
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composition: (Op. 4), Sonata in C minor, Mvt I
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The missing mark is probably Chopin's inadvertence – this bar ends a page in A, while the transition to a new page often distracts the writing persons. Therefore, in the main text we indicate the pedal release point in accordance with the harmonic sense. A similar addition was already introduced by GE (→FE,EE,IE). category imprint: Differences between sources; Editorial revisions issues: GE revisions , No pedal release mark , Inaccuracies in A |
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b. 37
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composition: (Op. 4), Sonata in C minor, Mvt I
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The staccato dots over the semiquavers ending the 1st and 2nd half of the bar resulted from a misunderstanding of the A notation – the dots prolonging the quaver rests were interpreted as staccato marks. The absence of dots in EE could be explained by an oversight or revision; anyway, nothing indicates that the English publisher could have had access to A. category imprint: Differences between sources issues: EE revisions , Errors in GE |
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b. 38
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composition: (Op. 4), Sonata in C minor, Mvt I
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The GE slurs (→FE,EE,IE) were added by the publisher and are inauthentic. This kind of notation can be found in Chopin's works, especially in the early ones (cf., e.g. IV mov., bars 185-186 or the Variations in B, Op. 2, bar 266), yet in this case A simply does not contain slurs. category imprint: Differences between sources issues: GE revisions |