Fingering
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b. 184-185
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composition: (Op. 4), Sonata in C minor, Mvt I
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In the main text we do not include any of the two versions of the inauthentic fingering provided in EE1 and EE2. The EE1 version could have resulted from a mistake, since the fingering of similar motifs with a repeated note points to the reviser's clear preference for swapping fingers in such situations. category imprint: Differences between sources issues: EE revisions |
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b. 187-192
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composition: (Op. 4), Sonata in C minor, Mvt I
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In the main text we omit the inauthentic R.H. part fingering added by EE in bar 187, 189 and 191-192. category imprint: Differences between sources issues: EE revisions |
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b. 195-199
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composition: (Op. 4), Sonata in C minor, Mvt I
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In the main text we omit the inauthentic L.H. part fingering added by EE in bar 195 and 199. category imprint: Differences between sources issues: EE revisions |
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b. 201-204
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composition: (Op. 4), Sonata in C minor, Mvt I
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In the main text we omit the inauthentic R.H. part fingering added by EE in bar 201 and 204. category imprint: Differences between sources issues: EE revisions |
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b. 211-214
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composition: (Op. 4), Sonata in C minor, Mvt I
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In the main text we do not include the inauthentic fingering added by EE. category imprint: Differences between sources issues: EE revisions |
