mUltimate Chopin

(Op. 4), Sonata in C minor, Mvt I

Text Compare Notes Sources Description
Select: 
Category
All
Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Fingering
All
Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Importance
All
Important
Main
Undo Clear

Fingering

b. 215-218

composition: (Op. 4), Sonata in C minor, Mvt I

No fingering in A (→GE→FE,IE)

Fingering in EE
..

In the main text we omit the inauthentic R.H. part fingering added by EE.

category imprint: Differences between sources

issues: EE revisions

b. 219-221

composition: (Op. 4), Sonata in C minor, Mvt I

No fingering in A (→GE→FE,IE)

Fingering in EE
..

In the main text we do not include the inauthentic R.H. part fingering added by EE.

category imprint: Differences between sources

issues: EE revisions

b. 224-225

composition: (Op. 4), Sonata in C minor, Mvt I

No fingering in A (→GE→FE,EE1,IE)

Fingering in EE2
..

In the main text we do not include the inauthentic R.H. part fingering added by EE2.

category imprint: Differences between sources

issues: EE revisions

b. 227

composition: (Op. 4), Sonata in C minor, Mvt I

No fingering in A (→GE→FE,IE)

Fingering after EE
..

In the main text we do not include the inauthentic R.H. part fingering added by EE.

category imprint: Differences between sources

issues: EE revisions

b. 228-230

composition: (Op. 4), Sonata in C minor, Mvt I

No fingering in A (→GE→FE,IE)

Fingering in EE1

Fingering in EE2
..

In the main text we do not include the inauthentic fingering added by EE.
See also bars 237-238, 239-241, 240-244, 245 and 247-248.

category imprint: Differences between sources

issues: EE revisions