Fingering
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b. 2-7
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composition: (Op. 4), Sonata in C minor, Mvt I
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In EE the Sonata was edited by Brinley Richards; among others, he developed the fingering. We do not include his fingering version in the main text, as it is obviously inauthentic, while in the EE transcriptions we reproduce it using a smaller font in italics, reserved for fingering digits added by editors. In some places, e.g. in bar 131, 184, 224, the fingering was complemented or changed in EE2. category imprint: Differences between sources issues: EE revisions |
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b. 9-13
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composition: (Op. 4), Sonata in C minor, Mvt I
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In the main text we omit the inauthentic R.H. fingering added by EE in bars 9-11 and 13. category imprint: Differences between sources issues: EE revisions |
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b. 17-21
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composition: (Op. 4), Sonata in C minor, Mvt I
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In the main text we omit the inauthentic L.H. fingering added by EE in bar 17 and 21. category imprint: Differences between sources issues: EE revisions |
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b. 23-26
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composition: (Op. 4), Sonata in C minor, Mvt I
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In the main text we omit the inauthentic fingering added by EE in bar 23 and 26. Similarly, in bar 30 and 32, 35, 37-38 and 42. category imprint: Differences between sources issues: EE revisions |
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b. 30
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composition: (Op. 4), Sonata in C minor, Mvt I
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In the main text we omit the inauthentic fingering added by EE. category imprint: Differences between sources issues: EE revisions |
