Pitch
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b. 58
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composition: (Op. 4), Sonata in C minor, Mvt I
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In the main text we add a cautionary category imprint: Editorial revisions |
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b. 59-62
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composition: (Op. 4), Sonata in C minor, Mvt I
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In the main text we add cautionary flats to b category imprint: Editorial revisions |
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b. 65
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composition: (Op. 4), Sonata in C minor, Mvt I
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It is difficult to say whether the earlier starting point of the octave sign in the editions resulted from a mistake or from a revision in GE. The mistake is supported by the absence of a corresponding correction in the recapitulation (bar 225), whereas the revision – by the pianistic ease of the changed version, in which the hand is to be moved not under the slur, but after the note provided with the staccato mark. Anyway, the A version does not contain a mistake, since this is how Chopin wrote this place twice – here and in bar 225. Such large intervals provided with a slur are to be found in other pieces by Chopin, cf., e.g. the Concerto in E minor, Op. 11, I mov., bar 391. category imprint: Differences between sources issues: Errors in GE , GE revisions |
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b. 65
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composition: (Op. 4), Sonata in C minor, Mvt I
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In FE the octave sign ends on the 5th quaver in the bar (c3-f3), which is the engraver's patent mistake. category imprint: Interpretations within context; Differences between sources issues: Errors in FE |
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b. 74
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composition: (Op. 4), Sonata in C minor, Mvt I category imprint: Differences between sources issues: Errors in FE , GE revisions , Abbreviated octaves' notation |
to d2. By contrast, we omit the unjustified (cautionary?) flats to a
and a
to a
