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b. 180-183
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composition: (Op. 4), Sonata in C minor, Mvt I
..
In the main text we do not include the inauthentic L.H. part fingering added by EE. category imprint: Differences between sources issues: EE revisions |
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b. 181
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composition: (Op. 4), Sonata in C minor, Mvt I
category imprint: Graphic ambiguousness; Editorial revisions issues: Inaccurate slurs in A |
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b. 182-183
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composition: (Op. 4), Sonata in C minor, Mvt I
..
According to us, the fragmentary A slurs resulted from the R.H. chords having been written on the bottom stave, which made it impossible to lead a continuous slur over the L.H. quavers. Due to the above, in the main text we provide a slur modelled after the analogous bars in the exposition (bars 4-6), in which Chopin was not restricted by lack of space. The A slurs were considered incomplete already by GE (→FE,EE,IE) and supplemented in the easiest possible way while keeping the range of the slurs entered by Chopin. category imprint: Differences between sources; Editorial revisions issues: Inaccurate slurs in A , GE revisions |
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b. 184-185
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composition: (Op. 4), Sonata in C minor, Mvt I
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In the main text we do not include any of the two versions of the inauthentic fingering provided in EE1 and EE2. The EE1 version could have resulted from a mistake, since the fingering of similar motifs with a repeated note points to the reviser's clear preference for swapping fingers in such situations. category imprint: Differences between sources issues: EE revisions |
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b. 184
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composition: (Op. 4), Sonata in C minor, Mvt I
..
In the main text in bars 182-184 we suggest a slur written by Chopin in the respective place in the exposition (bars 4-6). The slurs of the sources end in bar 183. category imprint: Editorial revisions |
