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b. 195
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composition: (Op. 4), Sonata in C minor, Mvt I
..
In the main text we suggest adding the espressivo indication after the analogous one in the exposition (bar 17). category imprint: Editorial revisions |
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b. 196-197
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composition: (Op. 4), Sonata in C minor, Mvt I
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In the main text we keep the A notation, devoid of slurs, since the performance manner of bar 196 is already obvious; however, the range of a possible slur in bar 197 could be questionable. The reviser of GE (→FE,EE) did not have such concerns, as he added four-quaver slurs in both bars. The slightly inaccurate ending of the latter one could have made IE prolong the slur in bar 197, as far as to the a1 crotchet, which, however, is not apparent at all in the GE notation. category imprint: Differences between sources issues: GE revisions , |
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b. 198
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composition: (Op. 4), Sonata in C minor, Mvt I
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The comparison with the analogous figures in bar 20 and 34 points to a highly likely oversight of the grace note before the last chord (by Chopin). category imprint: Editorial revisions issues: Errors of A |
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b. 198-200
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composition: (Op. 4), Sonata in C minor, Mvt I
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In the main text we suggest pedal markings after the analogous fragment in the exposition (bars 20-22, cf. also bars 34-36). category imprint: Editorial revisions |
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b. 199-200
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composition: (Op. 4), Sonata in C minor, Mvt I
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In the main text we keep the A notation, as in the entire theme the A slurs are much less numerous than in the exposition – e.g. the L.H. slurs in bars 195-197 and 201-202 are absent. category imprint: issues: GE revisions |
] suggested by the editors
