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b. 184
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composition: (Op. 4), Sonata in C minor, Mvt I
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In A there is a category imprint: Differences between sources; Editorial revisions issues: GE revisions , Cautionary accidentals |
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b. 186
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composition: (Op. 4), Sonata in C minor, Mvt I
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In A one can see an erased B category imprint: Corrections & alterations; Source & stylistic information issues: Corrections in A |
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b. 186
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composition: (Op. 4), Sonata in C minor, Mvt I
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In A there are no accidentals to the 2nd and 3rd chord in the bar, which is simplification of notation, typical for this manuscript. All 3 omitted flats – d category imprint: Interpretations within context; Differences between sources issues: Accidentals in different octaves , GE revisions |
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b. 187-192
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composition: (Op. 4), Sonata in C minor, Mvt I
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In the main text we omit the inauthentic R.H. part fingering added by EE in bar 187, 189 and 191-192. category imprint: Differences between sources issues: EE revisions |
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b. 187-188
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composition: (Op. 4), Sonata in C minor, Mvt I
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The A slurs are most probably inaccurate, which was deciphered already in GE (→FE,EE,IE). The majority of similar motifs are devoid of slurs, yet the first one provided with a slur (bar 17) clearly shows how Chopin envisioned its range in such situations. The fact that the slurs should end before the rest is also evidenced by the authentic slurs in bars 90-91 and 92-93. The issue concerning the slur's starting point – see the note on bars 17-20. category imprint: Graphic ambiguousness; Differences between sources issues: Inaccurate slurs in A , GE revisions |