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(Op. 4), Sonata in C minor, Mvt I

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b. 143-146

composition: (Op. 4), Sonata in C minor, Mvt I

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In the main text we omit the unnecessarily repeated flats to d4 in the 2nd half of bar 143 and 145 and to f3 on the 3rd quaver in bar 144 and 146.

category imprint: Editorial revisions

issues: Cautionary accidentals

b. 144

composition: (Op. 4), Sonata in C minor, Mvt I

Slur to 4th quaver in A, literal reading

Slur to 7th quaver in GE (→FE,EE,IE)
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The comparison with similar sequences of thirds reveals that the A slur cannot be accurate (perhaps due to ink stoppage). In the main text we provide the GE slur (→FE,EE,IE).

category imprint: Differences between sources; Editorial revisions

issues: Inaccurate slurs in A , GE revisions

b. 146

composition: (Op. 4), Sonata in C minor, Mvt I

Slur to 5th quaver in A, literal reading

Slur to 8th quaver in GE (→FE,EE,IE)

Slur to 7th quaver suggested by the editors
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As was the case 2 bars ago, one can be certain that the A slur is inaccurate, hence in the main text we suggest a slur whose range results from the comparison of analogous figures. The longer slur of the editions can be considered an equal variant.

category imprint: Differences between sources; Editorial revisions

issues: Inaccurate slurs in A , GE revisions

b. 147-158

composition: (Op. 4), Sonata in C minor, Mvt I

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In these bars it is only the top notes of the octaves that are provided with accidentals in A. This simplified notation was supplemented in GE (→FE,EE,IE) by adding all the missing accidentals.

category imprint: Interpretations within context; Differences between sources

issues: Accidentals in different octaves , GE revisions , Inaccuracies in A

b. 148-153

composition: (Op. 4), Sonata in C minor, Mvt I

Slurs in A, literal reading

Slurs in A (contextual interpretation→GE→FE,EE,IE)
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Pianistically and musically speaking, it is obvious what slurs should be used in bars 147-153, mostly build of three-note motifs; it is confirmed by the group of several dozen A slurs, undoubtedly encompassing entire motifs. Nevertheless, in A we can find a number of inaccuracies in the remaining figures:

  • overlooked slurs – in bar 148 the first one in the L.H., in bar 152 the second one in the R.H., in bar 153 all three (we discuss the issue concerning the slur over the octave sequence beginning at the end of this bar separately);
  • L.H. slurs encompassing two out of three quavers – at the end of bar 148 and 149 and in the middle of bar 151 and 152;
  • slurs concerning the entire motif yet too short on one or the other side and sometimes on both sides, e.g. the last L.H. slur in bar 152.

In the main text we standardise the slurs concerning these motifs in accordance with what was already carried out in GE (→FE,EE,IE).

category imprint: Graphic ambiguousness; Differences between sources

issues: Inaccurate slurs in A , GE revisions