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b. 140-141
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composition: (Op. 4), Sonata in C minor, Mvt I
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Chopin stopped writing pedal marks probably due to distraction – in analogous bars 124-125 both bars include a full set of category imprint: Differences between sources; Editorial revisions issues: GE revisions , No pedal release mark , Inaccuracies in A |
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b. 140
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composition: (Op. 4), Sonata in C minor, Mvt I
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The longer FE slur is most probably due to the engraver's inaccuracy. category imprint: Differences between sources issues: Inaccuracies in FE |
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b. 141-142
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composition: (Op. 4), Sonata in C minor, Mvt I
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In the main text we provide a category imprint: Differences between sources issues: GE revisions |
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b. 142
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composition: (Op. 4), Sonata in C minor, Mvt I
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The wedge added by GE (→FE) was arbitrarily inserted by the engraver or the reviser, probably after comparing it with the following bars – in GE the discussed bar opens a page, while the bass octaves in the next three bars are provided with authentic wedges. The review of markings in all similar places – bars 123-130 and 139-146 – allows us to observe that Chopin provided with wedges some of the bass crotchets, but he never used a wedge to mark a quaver. category imprint: Differences between sources issues: Errors in EE , GE revisions , Errors in IE |
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b. 142
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composition: (Op. 4), Sonata in C minor, Mvt I
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The range of the slur is vague both in A and GE – in both cases one could consider these slurs to be a quaver shorter than the ones we adopted to our transcriptions. Our interpretation of GE is confirmed by the version of the remaining editions, none of which considered this slur to be reaching the 7th quaver. category imprint: Graphic ambiguousness; Differences between sources issues: Inaccuracies in GE , Inaccurate slurs in A |