



b. 127-128
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composition: (Op. 4), Sonata in C minor, Mvt I
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In the main text we add cautionary accidentals – a category imprint: Differences between sources; Editorial revisions issues: EE revisions |
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b. 127-129
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composition: (Op. 4), Sonata in C minor, Mvt I
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In A (→GE→EE1,IE) the naturals restoring g3 in bar 127 and 129 are missing. Both were added by FE and EE2. category imprint: Interpretations within context; Differences between sources; Editorial revisions issues: EE revisions , Omissions to cancel alteration , Errors of A , FE revisions , |
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b. 128
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composition: (Op. 4), Sonata in C minor, Mvt I
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The A slur having been led only to the 6th quaver in the bar is musically unjustified. This is confirmed by the comparison with similar figures, e.g. in bar 126. Due to the above, to the main text we adopt a slur led to the 7th quaver, as in GE (→FE,EE,IE). category imprint: Differences between sources; Editorial revisions issues: Inaccurate slurs in A , GE revisions |
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b. 129-130
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composition: (Op. 4), Sonata in C minor, Mvt I
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In the main text we add a category imprint: Editorial revisions |
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b. 130
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composition: (Op. 4), Sonata in C minor, Mvt I
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Due to the reasons discussed in the note on bar 124, in the main text we provide a slur whose range we adopt from the remaining analogous bars. We consider the version of the sources, also musically justified, to be an equal variant. The A slur could have been extended by Chopin, yet it is an isolated incident among a few analogous situations. category imprint: Graphic ambiguousness; Editorial revisions issues: Inaccurate slurs in A , Corrections in A |