



b. 298
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composition: Op. 49, Fantaisie in F minor category imprint: Interpretations within context; Differences between sources issues: Errors in FE , FE revisions |
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b. 299-300
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composition: Op. 49, Fantaisie in F minor
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Four subsequent octaves, starting from E category imprint: Corrections & alterations; Source & stylistic information issues: Corrections in A , Deletions in A , Bass register changes |
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b. 301-302
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composition: Op. 49, Fantaisie in F minor
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The comparison with analogous bar 135 suggests that the A slurs are inaccurate here, particularly the one that ends on the last crotchet in bar 301. The beginning of the slur in bar 302 is written with a flourish, yet its shape quite convincingly indicates that it is related to the e category imprint: Graphic ambiguousness; Differences between sources issues: Inaccuracies in GE , Inaccurate slurs in A |
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b. 302-304
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composition: Op. 49, Fantaisie in F minor
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According to us, the short accents in bar 302 and 304 resulted from the inaccuracy of the A notation (→GE), hence in the main text we suggest long accents, as in the preceding phrase. In EE2 the accents were added on the basis of GE1. category imprint: Differences between sources; Editorial revisions issues: Long accents , EE revisions |
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b. 302
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composition: Op. 49, Fantaisie in F minor
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The missing a category imprint: Differences between sources issues: Errors in FE , FE revisions , Uncertain notes on ledger lines |