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b. 308
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composition: Op. 49, Fantaisie in F minor
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The fact that the A version was restored at the stage of proofreading FE2 (→EE), perhaps at Chopin's request, indicates that the FE1 version is almost certainly erroneous. category imprint: Differences between sources; Corrections & alterations issues: Errors in FE , Authentic corrections of FE , FE revisions |
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b. 310
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composition: Op. 49, Fantaisie in F minor
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The difference in the position of category imprint: Differences between sources; Corrections & alterations issues: EE revisions , Corrections in A |
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b. 310
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composition: Op. 49, Fantaisie in F minor
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The staccato marks for the right and the left hands were probably added by Chopin to A later (after [FC] had been finished), like many other indications in this fragment. In GE the wedge over the R.H. chord was considered a carelessly written dot, which is very frequent in the B & H editions. category imprint: Differences between sources issues: Inaccuracies in GE , Wedges |
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b. 311-315
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composition: Op. 49, Fantaisie in F minor
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In bar 311, 313 and 315 Chopin overlooked in A some necessary accidentals in the final fragments of the R.H. passages, yet due to the fact that the entire fragment was written without an octave sign, the number of missing accidentals is lower than in the previous analogous passages – in bar 311 there are no naturals to the last two quavers; in bar 313 there are no sharps and naturals (5 accidentals in total) in the 2nd half of the bar; in bar 315 there is no category imprint: Interpretations within context; Differences between sources; Editorial revisions issues: EE revisions , Accidentals in different octaves , GE revisions , Cautionary accidentals , FE revisions , Errors repeated in FE |
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b. 311-312
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composition: Op. 49, Fantaisie in F minor
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In the 2nd half of bar 311 the L.H. part was corrected twice in A, which is evidenced by the visible deletions. Eventually, Chopin was forced to write the final version on the stave below. The initial entry was very carefully crossed out – first alone and then with the entire 2nd half of the bar – hence it is difficult to say what it was. In an analogous place in bar 313 a d1-e1-g category imprint: Corrections & alterations; Source & stylistic information issues: Corrections in A , Deletions in A , Accompaniment changes |