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Articulation, Accents, Hairpins

b. 140

composition: Op. 12, Variations in B♭ major

Wedge in FE

Staccato dot in GE & EE

..

The change of wedges to staccato dots in GE resulted from general revision of this publisher – see the note in bar 7. On the other hand, the dot in EE, in which the wedges printed in FE were generally preserved, was most probably introduced to standardise the L.H. marks in this and the preceding bar. The changes rather cannot be authentic, hence in the main text we keep the FE wedge.

category imprint: Differences between sources

issues: EE revisions , GE revisions , Wedges

b. 145-164

composition: Op. 12, Variations in B♭ major

Wedges in FE (→EE)

Staccato dots in GE

..

Most of the wedges present in FE (→EE) were arbitrarily changed to staccato dots in GE – see the note in bar 7. As the change covers all wedges included in GE, we consider the version of this edition to be one variant, on this page encompassing 22 marks in bars 145-146, 148-149, 151 and 153-164. We discuss the omitted marks in all or some editions separately – see the notes in bar 146, 151, 156 and 161-163.

category imprint: Differences between sources

issues: GE revisions

b. 146

composition: Op. 12, Variations in B♭ major

No mark in FE (→GE)

Wedge in EE

..

To the main text we adopt the EE variant, considering the absence of the 3rd wedge in FE to be an oversight, after comparing it with bar 145.

category imprint: Differences between sources

issues: EE revisions

b. 151

composition: Op. 12, Variations in B♭ major

Wedge in FE (→EE)

No markings in GE

..

The absence of the mark in GE is certainly an oversight, perhaps partially influenced by the FE layout, where the wedge was placed very close to the octave sign. A similar situation occurred in bar 156.

category imprint: Differences between sources

issues: Errors in GE

b. 156

composition: Op. 12, Variations in B♭ major

Wedge in FE

No markings in GE & EE

..

The absence of the marks in GE and EE must be due to oversight, partially caused by the FE layout, in which the wedge was placed very close to the dashes marking the range of the octave sign. A similar situation occurred in bar 151.

category imprint: Differences between sources

issues: Errors in EE , Errors in GE