



Articulation, Accents, Hairpins
b. 126
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composition: Op. 12, Variations in B♭ major
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The wedge over d category imprint: Differences between sources issues: Errors in FE , Errors in EE |
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b. 127
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composition: Op. 12, Variations in B♭ major
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Taking into account the similarities between bar 125 and 127, in the main text we indicate staccato articulation for the 1st quaver in the 2nd half of the bar, as the performance markings in these bars either overlap or complement each other. category imprint: Editorial revisions |
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b. 129
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composition: Op. 12, Variations in B♭ major
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It is highly likely that the accent in the FEO teaching copy was added by Chopin, hence we include it in the main text in a variant form. category imprint: Differences between sources; Editorial revisions |
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b. 133
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composition: Op. 12, Variations in B♭ major
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The absence of staccato dots in GE must be a mistake, since dots are present in the L.H. part. category imprint: Differences between sources issues: Errors in GE |
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b. 134-140
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composition: Op. 12, Variations in B♭ major
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Most of the wedges present in FE (→EE) were arbitrarily changed to staccato dots in GE – see the note in bar 7. As the change covers all wedges included in GE, we consider the version of this edition to be one variant, on this page encompassing generally 4 marks in bar 134 and 139-140, yet we discuss the L.H. mark at the beginning of bar 140 separately due to other source issues. category imprint: Differences between sources issues: GE revisions |