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b. 16-17
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composition: Op. 12, Variations in B♭ major
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It seems unlikely that the absence of a slur over the three-note descending chromatic motif could have been related to a change in articulation. Therefore, in the main text we suggest a slur filling the gap in the coherent phrasing in the adjacent bars. category imprint: Editorial revisions |
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b. 16
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composition: Op. 12, Variations in B♭ major
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In the main text we omit the most probably authentic – it is present in all sources – but unjustified cautionary category imprint: Editorial revisions issues: Cautionary accidentals |
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b. 17
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composition: Op. 12, Variations in B♭ major
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The missing dotted rhythm in GE seems to be neither the engraver's mistake nor the edition's revision. Chopin probably introduced it into FE (→EE) after having sent the GE basis. Taking into account the fact that the authenticity of the GE version is highly likely, it can be regarded as a fully-fledged variant. category imprint: Differences between sources; Corrections & alterations |
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b. 17
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composition: Op. 12, Variations in B♭ major
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In the main text we include the cautionary category imprint: Differences between sources; Editorial revisions issues: GE revisions |
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b. 18
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composition: Op. 12, Variations in B♭ major
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It is difficult to say whether the EE version resulted from the engraver's mistake or whether Chopin added a crotchet stem and an augmentation dot to d1 in the last stage of proofreading FE (→GE1), yet this correction was not marked in the copy that served as the basis for EE. category imprint: Differences between sources issues: Errors in GE , Authentic corrections of FE |