



b. 10
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composition: Op. 12, Variations in B♭ major
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Taking into account the e category imprint: Differences between sources; Editorial revisions issues: Errors in FE , Errors in EE , GE revisions |
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b. 11
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composition: Op. 12, Variations in B♭ major
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In the main text we include the cautionary category imprint: Differences between sources; Editorial revisions issues: GE revisions |
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b. 12
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composition: Op. 12, Variations in B♭ major
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In FE the category imprint: Differences between sources issues: EE revisions , Omissions to cancel alteration , GE revisions , Errors repeated in FE |
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b. 13
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composition: Op. 12, Variations in B♭ major
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In the main text we suggest prolonging the sound of the g tone on the basis of the following analysis and the rhythmic values and articulation of the bass notes in bars 7-14. Chopin indicated that the bass notes should be extended in the following ways:
There are two exceptions: bar 10, in which wedges without pedal probably resulted from a misinterpretation of [A], and the discussed place, which is devoid of both longer rhythmic values and pedal, which we consider an oversight, by Chopin or by the FE engraver. category imprint: Editorial revisions |
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b. 15
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composition: Op. 12, Variations in B♭ major
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In the main text we include the cautionary category imprint: Differences between sources; Editorial revisions issues: GE revisions |