FC - Fontana's copy

Fontana's copy

Copy of the lost autograph, made by Fontana. It served as the basis for the first German edition.

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FE - French edition

French edition

M. Schlesinger, Paris, plate number M.S. 2489:
FE1 ‒ first French edition, December 1837,
FED ‒ teaching copy with Chopin’s annotations, belonging to Camille O'Méara-Dubois,
FES ‒ teaching copy belonging to Jane Stirling, in this Mazurka without annotations.

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GE - German edition

German edition

Breitkopf & Härtel, Leipzig, plate number 5851:
GE1 ‒ First German edition, January 1838,
GE2 ‒ Revised impression of GE1 (ca 1872-1873).

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EE - English edition

English edition

Wessel & Co, London, plate number (W & Co. No. 2170):
EE1 – First English edition, November 1837.

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Principles behind the main text of
the Mazurka in C♯ minor, Op. 30 No. 4

As our basis we take FC as a source that bears visible traces of Chopin's detailed corrections and was prepared more carefully than other authentic sources. We take into account those elements of FE whose authenticity raises no reservations and which complement the text of FC or convey important, probably later variants. We include annotations in FED.

Determining whether we are dealing with a correction in FE, a correction in [A], or an oversight by the copyist is some­times difficult, especially in the case of the first two possibi­lities, which are most often indistinguishable without access to [A]. Therefore, we treat them jointly and, for simplicity, refer to them together as FE corrections. All these situations point to FE as the source transmitting the latest, and in the case of copyist's mistakes, the only authentic version, so that difficulties in determining the details of filiation do not excessively complicate the editing of the main text.