Issues : Errors in FE
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b. 29-30
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composition: Op. 29, Impromptu in A♭ major
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The sources differ in the number of accents in the L.H. in bars 29-30. In A, GE2, GE3, EE the accents are in bar 29 over the 5th and 11th quaver (f category imprint: Differences between sources issues: Errors in FE , Errors in GE |
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b. 30
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composition: Op. 29, Impromptu in A♭ major
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In front of the 5th quaver, FE has a natural instead of a flat. Chopin corrected the mistake in all three pupils' copies: FEJ, FED and FES. category imprint: Differences between sources; Corrections & alterations issues: Annotations in teaching copies , Errors in FE |
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b. 30-31
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composition: Op. 29, Impromptu in A♭ major
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We add a slur over the double-note chords written in A. In GE1 it was moved under the notes, the correct notation was reinstated in GE2 (→GE3) (→GE4). The double slur EE is probably a result of an editorial revision, and the lack of the slur in FE – an error. category imprint: Differences between sources issues: EE revisions , Errors in FE , GE revisions |
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b. 33
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composition: Op. 29, Impromptu in A♭ major
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Lack of arpeggio in FE is most probably a result of an oversight. category imprint: Differences between sources issues: Errors in FE |
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b. 35-48
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composition: Op. 29, Impromptu in A♭ major
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We adopt the unambiguous staccato dots of A (→GE) and EE (EE is lacking the 1st dot in bar 37). FE's wedges may be an arbitrary revision of the edition and they do not have to result from distinct notation of the manuscript which serves as its base text – in that edition the dots are used only with the slurs in bars 122-126. The absent signs in FE in bars 37, 42 and 44 are probably a result of an oversight. category imprint: Differences between sources issues: Errors in FE , EE inaccuracies |
1) and in bar 30 
