Articulation, Accents, Hairpins
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b. 114-115
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composition: Op. 29, Impromptu in A♭ major
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EE has additional crescendo hairpins here. category imprint: Differences between sources |
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b. 115
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composition: Op. 29, Impromptu in A♭ major
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The clear staccato dot in A was recreated in GE and EE. FE has a wedge, it cannot be excluded that such a sign could have been in the lost base text. In the editions we generally have a situation in which the wedges written by Chopin were most frequently interpreted as dots. category imprint: Differences between sources |
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b. 117
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composition: Op. 29, Impromptu in A♭ major
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The clear staccato dot in A was recreated in GE. FE has a wedge; it cannot be excluded that such a sign could have been in the lost base text. In the editions we generally have a situation in which the wedges written by Chopin were most frequently interpreted as dots. In EE the sign was overlooked. category imprint: Differences between sources |
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b. 117-118
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composition: Op. 29, Impromptu in A♭ major
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Similarly as in bar 117, we consider the short accent to be more plausible. category imprint: Graphic ambiguousness; Differences between sources issues: Long accents |
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b. 117
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composition: Op. 29, Impromptu in A♭ major
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EE has an additional accent on the 2nd crotchet in the bottom voice in the R.H. category imprint: Differences between sources |
