Issues : Bass register changes
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b. 228-230
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composition: Op. 44, Polonaise in F♯ minor
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In AImaz the bass line is led an octave higher – f category imprint: Corrections & alterations; Source & stylistic information issues: Accompaniment changes , Bass register changes |
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b. 239-240
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composition: Op. 44, Polonaise in F♯ minor
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In AImaz the bass sequence is placed an octave higher than in the final version, in which the interval of a tenth between the bass and the bottom notes of the R.H. chords is also kept in b. 180-181. category imprint: Corrections & alterations; Source & stylistic information issues: Bass register changes |
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b. 240-246
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composition: Op. 2, Variations, complete
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In AsI in these bars, there is no indication that the bass line should be doubled an octave lower. It is likely that it is not an earlier version but a simplified, incomplete record, hence we do not regard it as a full-fledged variant. In all the remaining sources, the bass line is led in octaves, generally written down with the use of con 8va starting:
See also the adjacent note. category imprint: Differences between sources issues: Bass register changes , Abbreviated octaves' notation |
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b. 269-270
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composition: Op. 43, Tarantella
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Crossings-out visible in A show that the two last bass octaves were originally written an octave higher. category imprint: Corrections & alterations; Source & stylistic information issues: Corrections in A , Deletions in A , Accompaniment changes , Bass register changes |
-B-e.