Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
Op. 2, Variations, complete
In AsI in these bars, there is no indication that the bass line should be doubled an octave lower. It is likely that it is not an earlier version but a simplified, incomplete record, hence we do not regard it as a full-fledged variant. In all the remaining sources, the bass line is led in octaves, generally written down with the use of con 8va starting:
- from the 1st octave in bar 240 to the 1st octave in bar 246 in A,
- from the 2nd octave in bar 240 to the end of bar 245 in the editions.
See also the adjacent note.
Compare the passage in the sources »
category imprint: Differences between sources
issues: Bass register changes, Abbreviated octaves' notation
notation: Pitch
