Issues : Bass register changes

b. 40

composition: Op. 28 No. 22, Prelude in G minor

category imprint: Corrections & alterations; Source & stylistic information

issues: Corrections in A , Deletions in A , Accompaniment changes , Bass register changes

b. 49

composition: Op. 27 No 2, Nocturne in D♭ major

D flat in A (→GEFEEE)

An octave sign written into FED

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The sense and authenticity of this sign in FED is doubtless, yet due to the much more powerful and longer-sounding bass register of contemporary pianos this variant may only be used with utmost caution. 

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FED , Authentic post-publication changes and variants , Bass register changes , Abbreviated octaves' notation

b. 50

composition: Op. 64 No 1, Waltz in D♭ major

c (with pedal) in AI, A & GE

c (no pedal) in AII & AIII

C in FE (→EE)

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Chopin lowered the bass by one octave in the last proofreading of FE (→EE).

category imprint: Differences between sources; Corrections & alterations

issues: Authentic corrections of FE , Bass register changes

b. 50-51

composition: Op. 28 No. 17, Prelude in A♭ major

..

In FCI the structure of all the accompanying quavers in b. 50 (from the 2nd to the 6th) is similar – 3 notes each in the part of each of the hands, hence c2 is present in all R.H. chords, while the chromatic step of the bass from the 4th quaver in b. 50 to the 1st quaver in b. 51 is not doubled in the bottom octave.

category imprint: Differences between sources; Corrections & alterations; Source & stylistic information

issues: Accompaniment changes , Bass register changes

b. 59-60

composition: Op. 27 No 2, Nocturne in D♭ major

No octaves in  A (→GEFEEE)

Two octaves in FED and FEJ

Three octaves in FES

The editors' variant proposal

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In the three teaching copies, the bass notes in  bar 59 were doubled with lower octaves. In FES the octave progression is consistently brought to the beginning of bar 60. In our opinion this means that Chopin considered the version with the octaves at least equivalent to the version of A (→GEFEEE), in which single notes appear.

category imprint: Differences between sources; Corrections & alterations

issues: Annotations in teaching copies , Annotations in FED , Annotations in FES , Authentic post-publication changes and variants , Annotations in FEJ , Bass register changes , Abbreviated octaves' notation