Issues : EE inaccuracies
b. 394-395
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composition: Op. 11, Concerto in E minor, Mvt I
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The missing pedal change at the transition between the bars must be an inadvertence. Consequently, inaccuracies in pedalling marks may be assumed also in bars 390, 398 and 399, although in that cases, they do not suggest an erroneous performance. A corresponding addition was introduced both in GE and EE (in the latter, inaccurately). category imprint: Differences between sources; Editorial revisions issues: EE revisions , GE revisions , EE inaccuracies |
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b. 397-398
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composition: Op. 21, Concerto in F minor, Mvt III
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The marking was placed in FE before the chord on the 3rd beat in bar 397. This kind of placement is not something unusual, yet, together with the small gaps between the notes, it could have misled the engraver or reviser of EE. Repetition of in bar 389, also before the c2 minim, suggests that such a placement was considered to be more likely due to the absence of any accents on these minims, differently than in analogous bars 53-54 and 57-58, in which EE has a and bars 401-402, which include accents. category imprint: Differences between sources issues: EE revisions , EE inaccuracies |
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b. 398-399
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composition: Op. 11, Concerto in E minor, Mvt III
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Two subsequent slurs starting later than in the adjacent figures must be an inaccuracy of FE, partially repeated in GE1 (→GE2) and EE. In the main text, we move the beginnings of the slurs to over the 1st semiquaver, in accordance with the musical sense and analogous figures. Such a revision was introduced already in GE3. category imprint: Graphic ambiguousness; Differences between sources; Editorial revisions issues: Inaccuracies in GE , Inaccuracies in FE , GE revisions , EE inaccuracies |
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b. 400
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composition: Op. 16, Rondo in E♭ major
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The lack of staccato dot in FE (→EE1) must be regarded as an inaccuracy. The mark was added already by the revisers of GE and EE2 (→EE3). category imprint: Differences between sources issues: EE revisions , Inaccuracies in FE , GE revisions , EE inaccuracies |
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b. 408
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composition: Op. 11, Concerto in E minor, Mvt III
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When interpreted literally, the ambiguous, in terms of rhythmic values and division into parts, notation of FE may have a few possible versions. It is the interpretation based on a possible reconstruction of the notation of [A], rhythmically consistent, that we adopt as both the text of FE and the main text. category imprint: Editorial revisions issues: Inaccuracies in GE , Inaccuracies in FE , EE inaccuracies |