Issues : GE revisions

b. 757-769

composition: Op. 31, Scherzo in B♭ minor

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In the main text we add cautionary flats before the G-g octaves in b. 757, 761, 765, 767 and 769. The accidentals were added also in GE2 (→GE3).

category imprint: Differences between sources; Editorial revisions

issues: GE revisions

b. 758-759

composition: Op. 31, Scherzo in B♭ minor

Slur to bar 759 in A (→FCGE1)

Slur to end of bar 759 in FE (→EE)

Slur to end of bar 758 in GE2 (→GE3)

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In the main text we give the unequivocal slurring of A (→FCGE1), confirmed by an identical notation in b. 762-763 as well as in b. 718-719. The fact of merging the slurs, which was performed in FE (→EE), is probably a result of mistaking the intersection of the slurs of A for their colligation. The separate slurs in GE2 (→GE3) are an arbitrary revision unifying the discussed slurs with the ones of FC (→GE) in b. 718-719 and 722-723. The same applies to b. 762-763.

category imprint: Differences between sources

issues: GE revisions

b. 762-763

composition: Op. 31, Scherzo in B♭ minor

Overlapping slurs in A (→FCGE1)

Continuous slur in FE (→EE)

Separate slurs in GE2 (→GE3)

category imprint: Differences between sources

issues: GE revisions

b. 773-775

composition: Op. 31, Scherzo in B♭ minor

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In GE2 (→GE3) the accents were divided between the hands: separate for the R.H. and separate for the L.H. We keep the authentic notation, which we believe to be absolutely clear.

category imprint: Differences between sources

issues: GE revisions

b. 776-778

composition: Op. 31, Scherzo in B♭ minor

Long accents in A (→FC,FE)

Short accents in GE & EE

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The accents in b. 776 and 778 in A are clearly longer than the 3 previous ones, which was not reproduced in EE and GE. Moreover, EE in b. 778 and GE2 (→GE3) in both bars assigned separate accents to each of the hands.

category imprint: Differences between sources

issues: Long accents , EE revisions , Inaccuracies in GE , GE revisions , EE inaccuracies