Issues : Accompaniment changes
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b. 294-295
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composition: Op. 11, Concerto in E minor, Mvt III
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In the main text, we correct the minor inaccuracy of the notation of the rhythm in FE (→EE). The missing dot prolonging the e1 quaver in bar 294 could have also contributed to the omission of the tie of that note in GE, although, according to us, it is more likely that the tie was added by Chopin in the last stage of proofreading of FE. The crossing-out of the e1 quaver at the beginning of bar 295 visible in FEH emphasises that the note should not be played again in this place. category imprint: Interpretations within context; Differences between sources; Editorial revisions; Corrections & alterations; Source & stylistic information issues: Annotations in teaching copies , Inaccuracies in FE , Rhythmic errors , Accompaniment changes , Authentic corrections of FE , Annotations in FEH |
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b. 307
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composition: Op. 31, Scherzo in B♭ minor
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In A one can see the original crossed-out version of that crotchet, i.e. the G category imprint: Corrections & alterations; Source & stylistic information issues: Corrections in A , Deletions in A , Accompaniment changes |
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b. 309
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composition: Op. 21, Concerto in F minor, Mvt I
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The traces of erasure, visible in A, allow to read the original version of the 1st half of the bar, in which the last note was an a1. In this version, the 3rd and 4th quavers were written in the treble clef, in which the removed note was written; however, it is unknown whether the correction of the moment of the beginning of the slur is to be linked to the change of the last note. category imprint: Corrections & alterations; Source & stylistic information issues: Corrections in A , Accompaniment changes |
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b. 313
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composition: Op. 44, Polonaise in F♯ minor
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Chopin most probably removed this note while proofreading FE1, which we include in the main text. category imprint: Differences between sources; Corrections & alterations |
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b. 317-318
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composition: Op. 21, Concerto in F minor, Mvt III
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In Morch Chopin shortened the value of the g-e1-b category imprint: Corrections & alterations; Source & stylistic information issues: Accompaniment changes |
-d
1 chord in violins and violas to a crotchet – originally, it lasted almost two bars, same as the bass note of the C-c chord, held by cellos and double basses.