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Issues : Accompaniment changes

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b. 264

composition: Op. 49, Fantaisie in F minor

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In the last two R.H. quavers one can see deleted e3 notes in A.

category imprint: Corrections & alterations; Source & stylistic information

issues: Corrections in A , Deletions in A , Accompaniment changes

b. 268

composition: Op. 42, Waltz in A♭ major

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In FEG and in the base text to EE Chopin changed enharmonically b to c1.

category imprint: Differences between sources; Corrections & alterations

issues: Accompaniment changes , Enharmonic corrections , Authentic corrections of GE , Authentic corrections of EE

b. 269

composition: Op. 42, Waltz in A♭ major

d1-e1 in FE

d1-e1-g1 in GE & EE
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The d1-e1 second, present in FE, is the original version – in FEG (→GE) Chopin added to it a g1. EE also features the completed version with the d1-e1-g1 chord. Therefore, the fact of leaving FE in the original version must be considered as Chopin's oversight.

category imprint: Differences between sources

issues: Accompaniment changes , Authentic corrections of GE , Authentic corrections of EE

b. 269-270

composition: Op. 43, Tarantella

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Crossings-out visible in A show that the two last bass octaves were originally written an octave higher.

category imprint: Corrections & alterations; Source & stylistic information

issues: Corrections in A , Deletions in A , Accompaniment changes , Bass register changes

b. 271

composition: Op. 49, Fantaisie in F minor

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In A Chopin initially wrote an e-g-c1 chord as the 2nd crotchet, which can be seen under the deletion.

category imprint: Corrections & alterations; Source & stylistic information

issues: Corrections in A , Deletions in A , Accompaniment changes