Issues : EE inaccuracies
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b. 252-259
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composition: Op. 43, Tarantella
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In GE2 (→GE3>GE4) each beat of bars 252-259 is slurred in LH. In GE1 only the first slur is notated over the 252-253 bar line. In FE (→IE) there are only two slurs over the first and second beat of 258 i 259, and in EE only the last one was retained. In A and FC3 this part is not written out with notes in the LH part - the notes are replaced by repetition of bars. However in A the first slur in this part is notated, while there is no such slur in FC3. category imprint: Differences between sources issues: Inaccuracies in GE , Inaccuracies in FE , EE inaccuracies |
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b. 252
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composition: Op. 21, Concerto in F minor, Mvt I
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According to us, all versions of the editions are a result of consecutively overlapping inaccuracies and misunderstandings. In GE the signs were related only to the notes on the bottom stave, which was then inaccurately reproduced in FE and EE. category imprint: Differences between sources issues: Inaccuracies in GE , Inaccuracies in FE , EE inaccuracies |
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b. 253
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composition: Op. 43, Tarantella
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In EE there is category imprint: Differences between sources issues: EE inaccuracies |
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b. 259
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composition: Op. 44, Polonaise in F♯ minor
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In EE1 there is no category imprint: Differences between sources issues: EE revisions , EE inaccuracies |
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b. 260
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composition: Op. 43, Tarantella
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In EE and GE there is no staccato on the first note of the LH part. In GE A category imprint: Differences between sources issues: GE revisions , EE inaccuracies |
instead of 
before the last quaver in RH.
before the 4th semiquaver in the bar at the same pitch. It was added by 
is a dotted crotchet.