Issues : Errors repeated in EE
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b. 24
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composition: Op. 30 No. 1, Mazurka in C minor
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The sources do not include a category imprint: Editorial revisions issues: Omissions to cancel alteration , Errors of A , Errors of FC , Errors repeated in GE , Errors repeated in FE , Errors repeated in EE |
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b. 25-28
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composition: Op. 28 No. 19, Prelude in E♭ major
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In A (→FC,FE) there are no flats lowering D to D category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves , GE revisions , Inaccuracies in A , Errors repeated in FE , Errors repeated in EE |
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b. 25
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composition: Op. 44, Polonaise in F♯ minor
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In FE (→EE1) the category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves , Inaccuracies in FE , Errors repeated in EE |
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b. 28
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composition: Op. 28 No. 21, Prelude in B♭ major
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In the sources there is no category imprint: Interpretations within context; Editorial revisions issues: Omission of current key accidentals , Inaccuracies in A , Errors repeated in GE , Errors repeated in FE , Errors repeated in EE |
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b. 29-31
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composition: Op. 21, Concerto in F minor, Mvt III
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The range of the slurs of the R.H. in A is beyond doubt, although none of them transcends the bar line (cf. the slurs in the L.H., written more accurately). The slurs of GE1 surprise with their inaccuracy, and the ones of FE (→EE) even more. The notation of A was interpreted correctly only in GE2. category imprint: Differences between sources issues: Errors in FE , Inaccuracies in GE , GE revisions , Errors repeated in EE |
restoring b
on the 3rd beat of the bar, which means that this accidental was also absent in [A]. In the main text, we correct this oversight, patent in this harmonic context and generally fairly typical of Chopin.
lowering g
to g is missing. This patent oversight, probably by Chopin himself, was corrected in 
