FE1
Main text
½A - Semi-autograph
A - Autograph of the piano part
Morch - Manuscript of the orchestra part
GE - German edition
GE1 - First German edition
GE1a - Retouched impression of GE1
GE2 - Second German edition
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE1
EE3 - Corrected impression of EE2
compare
  b. 29-31

3-note slurs in A & GE2

4- & 5-note slurs in GE1

5-note slurs in FE (→EE)

The range of the slurs in the R.H. in bars 29-32 is beyond doubt in A, although none of them transcends the bar line (cf. the slurs in the L.H., written more accurately). One can only guess why two of those rather too short slurs were reproduced in GE1 as much longer. In FE the most deformed slur of GE1 was generalised in all three places, which is also puzzling. This unreasonable notation was repeated without changes in EE, although the slur beginning in bar 31 has no ending in bar 32 due to the transition into a new line.
GE2 restored the correctly interpreted notation of A.

Compare the passage in the sources »

category imprint: Differences between sources

issues: Errors in FE, Inaccuracies in GE, GE revisions, Errors repeated in EE

notation: Slurs

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