



Issues : Foreign hand additions in manuscripts
b. 54-62
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composition: Op. 30 No. 2, Mazurka in B minor
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In the main text, we add cautionary naturals before b1 in bars 22 and 30. The reviser of GE1 also added them in FC; they were subsequently introduced in this edition. category imprint: Differences between sources; Editorial revisions issues: GE revisions , Foreign hand additions in manuscripts |
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b. 55
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composition: Op. 27 No 2, Nocturne in D♭ major
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A (→GE1) has a cautionary category imprint: Interpretations within context; Differences between sources issues: Annotations in teaching copies , Foreign hand additions in manuscripts , Authentic corrections of FE , Annotations in GET |
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b. 57
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composition: Op. 21, Concerto in F minor, Mvt III
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The notation of the last chord in the R.H. in A is surprising – over three g1-e2-g2 notes there is also a fourth one, more or less at the pitch of c3 or d3, but devoid of ledger lines, so it is unknown what note it should represent. At the same time, it is not one of the blots copied from the adjacent page, of which there are several in the next bars. According to us, it is a mistakenly boldened random ink spill or a staccato dot. The latter seems to be supported by the presence of such a dot in GE1; however, the dot in GE1 may be explained by another kind of mistake – see the adjacent note. category imprint: Source & stylistic information |
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b. 82
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composition: Op. 30 No. 4, Mazurka in C# minor
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We add a cautionary category imprint: Differences between sources; Editorial revisions |
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b. 94
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composition: Op. 29, Impromptu in A♭ major category imprint: Differences between sources; Source & stylistic information issues: Foreign hand additions in manuscripts , Cautionary accidentals |