Issues : Foreign hand additions in manuscripts
b. 55
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composition: Op. 27 No 2, Nocturne in D♭ major
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A (→GE1) has a cautionary before the upper note of the last sixth of the triplet, instructing us to read that note as c3. This is obviously a mistake, corrected in the proofing of FE (→EE), GE2 and GET. category imprint: Interpretations within context; Differences between sources issues: Annotations in teaching copies , Foreign hand additions in manuscripts , Authentic corrections of FE , Annotations in GET |
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b. 57
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composition: Op. 21, Concerto in F minor, Mvt III
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The notation of the last chord in the R.H. in A is surprising – over three g1-e2-g2 notes there is also a fourth one, more or less at the pitch of c3 or d3, but devoid of ledger lines, so it is unknown what note it should represent. At the same time, it is not one of the blots copied from the adjacent page, of which there are several in the next bars. According to us, it is a mistakenly boldened random ink spill or a staccato dot. The latter seems to be supported by the presence of such a dot in GE1; however, the dot in GE1 may be explained by another kind of mistake – see the adjacent note. category imprint: Source & stylistic information |
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b. 82
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composition: Op. 30 No. 4, Mazurka in C# minor
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We add a cautionary before b1 in the main text. The accidental written by the revisor into FC was also added in GE. category imprint: Differences between sources; Editorial revisions |
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b. 94
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composition: Op. 29, Impromptu in A♭ major category imprint: Differences between sources; Source & stylistic information issues: Foreign hand additions in manuscripts , Cautionary accidentals |
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b. 100
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composition: Op. 29, Impromptu in A♭ major
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We add a cautionary natural next to g1. The sign was added in A by someone else, it was also included in GE. category imprint: Differences between sources; Editorial revisions issues: Foreign hand additions in manuscripts , Cautionary accidentals |