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Issues : Errors in EE

b. 5

composition: Op. 25 No 11, Etude in A minor

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EE1 has an erroneous d3 as the 4th semiquaver of the 2nd half of the bar. The mistake was corrected in the subsequent EE.

category imprint: Differences between sources

issues: EE revisions , Errors in EE

b. 5

composition: Op. 25 No 11, Etude in A minor

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In EE1 there is no pedal release sign. The oversight – probably of the copyist performing the base text, as the sign is also absent in bar 69 – was corrected in EE2 (→EE3). Cf. one of the previous notes in this bar.

category imprint: Differences between sources

issues: EE revisions , Errors in EE

b. 5-6

composition: Op. 28 No. 7, Prelude in A major

with bass in A (→FE,FC→GE) & EE2

 under semiquaver in CXI

No markings in EE1 & CGS
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The placement of the  mark in CXI is probably an inaccuracy. However, if the manuscript was indeed based on a lost authentic source, such a later pedal, resulting in the notes ringing out clearer further on in the bar, could have come from Chopin.
The oversight of the  mark is probably an inaccuracy of the copyist – there is a similar situation in bar 8.
The missing pedalling indications in CGS – see b. 3-4.
The oversight of the engraver of EE1 was rectified in EE2.

category imprint: Differences between sources

issues: EE revisions , Errors in EE

b. 5

composition: Op. 28 No. 17, Prelude in A♭ major

..

EE overlooked the  sign.

category imprint: Differences between sources

issues: Errors in EE

b. 6

composition: Op. 24 No. 4, Mazurka in B♭ minor

A staccato crotchet in A (→GE→FE)

A staccato semiquaver in EE
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In EE, the staccato dot was erroneously placed over the semiquaver b flat1 instead of placing it above the crotchet. 

category imprint: Differences between sources

issues: Errors in EE