Issues : EE inaccuracies
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b. 6
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composition: Op. 23, Ballade in G minor
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The long accent entered into A was quite accurately reproduced in FE; however, GE and EE considered it vague and reduced to a more typical form, i.e. a diminuendo hairpin in GE and a common short accent in EE. category imprint: Differences between sources issues: Long accents , Inaccuracies in GE , EE inaccuracies |
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b. 7-8
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composition: Op. 21, Concerto in F minor, Mvt II
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In A the vast majority of the beginnings of the slurs in the L.H., both in the figures embracing the whole bar and in the half-bar ones, does not include the bass note, usually provided with a staccato dot. Despite the fact that Chopin would not always put them precisely (e.g., a slur in bar 8), their systematical reproduction in GE1 (→FE→EE) as whole- or half-bar rather does not correspond to his intention (cf. the characterization of GE1), which was noticed in GE2. category imprint: Differences between sources issues: Inaccuracies in GE , EE inaccuracies |
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b. 8
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composition: Op. 27 No 1, Nocturne in C# minor
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In EE, the slur erroneously extends only to e sharp2. category imprint: Differences between sources issues: EE inaccuracies |
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b. 8
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composition: Op. 10 No 2, Etude in A minor
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In the main text we consider the staccato dot, visible over the 1st octave in Ap and FE. It is hard to determine what caused the sign's lack in both GE and EE. category imprint: Differences between sources issues: Inaccuracies in GE , EE inaccuracies |
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b. 8
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composition: Op. 25 No 11, Etude in A minor
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Lack of the fingering numeral in EE1 is probably an oversight of the engraver or copyist preparing the base text to this edition. category imprint: Differences between sources issues: EE inaccuracies |
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