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b. 1

composition: Op. 64 No 1, Waltz in D♭ major

leggiero in A (→FEGE,EE)

 
..

The presentation autographs do not include the leggiero indication which Chopin introduced only at the time of preparing the Waltz for print. Cf. bar 21.  

category imprint: Differences between sources

b. 1

composition: Op. 64 No 1, Waltz in D♭ major

 

Long accent in A

Short accent in FE (→GE,EE)

..

In A Chopin undoubtedly wrote a long accent. In all editions and impressions of the Waltz, a short accent was placed.

category imprint: Differences between sources

issues: Long accents , Inaccuracies in FE

b. 1-2

composition: Op. 64 No 1, Waltz in D♭ major

No marking in AI, AII, AIII & A (→FEGE,EE)

 in EEC

..

EEC arbitrarily added a  indication between bars 1 and 2.

category imprint: Differences between sources

issues: EE revisions

b. 1

composition: Op. 35, Sonata in B♭ minor, Mvt III

Fingering written into FES

No teaching fingering

..

The fingering was probably added by Chopin.

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FES

b. 1-4

composition: Op. 64 No 1, Waltz in D♭ major

No introduction in As

4 bars in AI, AII, AIII & A (→FEGE,EE)

4 bars with fingering written in FED

8 bars with fingering in FED

8 bars without teaching fingering

..

The addition in FED – trill 4 bars – probably means a variant of beginning the Waltz in a way similar to the return of the main section from bar 69. We give each of the variants – four- and eight-bar – in the version with fingering, written also in FED, or without.

As starts right away with accompaniment, which corresponds with bar 5 of the version of later autographs and editions.

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FED , Authentic post-publication changes and variants , Main-line changes , Differences in form