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b. 1-12

composition: Op. 35, Sonata in B♭ minor, Mvt IV

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The non-separated slur of Afin corresponds to the legato indication in the printed version.

category imprint: Differences between sources

issues: Authentic post-publication changes and variants

b. 1-2

composition: Op. 35, Sonata in B♭ minor, Mvt IV

..

The second halves of the bars are written in Afin in an abbreviated manner as repetition of the first ones.

category imprint: Source & stylistic information

issues: Abbreviated notation of A

b. 1

composition: Op. 35, Sonata in B♭ minor, Mvt III

funèbre in GC (→GE), FE1 (→FE2EE) & FE5

No designation in FE3 (→FE4)

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The fact of removing the programme indication of Marche's character in the proofreading of FE3 (→FE4) can be certainly ascribed to Chopin. The composer replaced it with a neutral tempo indication, Lento. The original indication funèbre was restored, for understandable reasons, in FE5 – the edition was prepared shortly after Chopin's funeral.  

category imprint: Differences between sources; Corrections & alterations

issues: Authentic corrections of FE

b. 1

composition: Op. 35, Sonata in B♭ minor, Mvt III

No indication in GC (→GE) & FE1 (→FE2EE1)

Lento in FE3 (→FE4,FE5) & EE2

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The indication Lento was added by Chopin in the proofreading of FE3 (→FE4,FE5), as if instead the simultaneously removed funèbre. It was repeated – most probably on the basis of FE4 – also in EE2.

category imprint: Differences between sources; Corrections & alterations

issues: Authentic corrections of FE

b. 1

composition: Op. 64 No 1, Waltz in D♭ major

Tempo di Valse in As

Vivace in AI, AII & AIII

Molto vivace in A (→FEGE,EE)

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One can ponder whether three versions of the tempo indication of the Waltz reflect actual changes in the concept of performing the piece or whether they are only a proof of making the expression defining the tempo and the general character of the piece more precise. The editors of mUltimate Chopin tend toward the second possibility.

category imprint: Differences between sources