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Issues : Errors resulting from corrections
b. 17
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composition: Op. 29, Impromptu in A♭ major
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In A (→GE1) the 5th and 6th quavers (f category imprint: Source & stylistic information |
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b. 19
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composition: Op. 25 No 8, Etude in D♭ major
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GE overlooked the staccato dot at the beginning of the bar. It is most probably a result of an erroneous interpretation of Chopin correction in A. The dot was also deleted in EE3, perhaps as a side effect of adopting the version with the octave from GE. category imprint: Differences between sources issues: EE revisions , Errors resulting from corrections , Errors in GE |
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b. 20-22
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composition: Op. 25 No 3, Etude in F major
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In GC there are no category imprint: Differences between sources issues: Errors resulting from corrections , Inaccuracies in GC |
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b. 20
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composition: Op. 35, Sonata in B♭ minor, Mvt III
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The correct notation of the trill in the 1st half of this bar and all its repetitions – bars 28, 74 and 82 – appeared in the sources (not including pupil's copies) only several years after the publication of the Sonata, in EE2 and GE2. The mistake was committed by Chopin, who in [A] (→GC→GE1→GE2mar,→FE1→FE2→EE2) wrote the trill minim as a G In EE there is also no wavy line after the trill. category imprint: Interpretations within context; Differences between sources; Corrections & alterations issues: Annotations in teaching copies , EE revisions , Errors in FE , Annotations in FED , Errors in EE , Errors resulting from corrections , Errors in GE , GE revisions , EE inaccuracies , Errors of A , Annotations in FES , Authentic corrections of FE , Errors of GC |
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b. 20
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composition: Op. 11, Concerto in E minor, Mvt I
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According to us, Chopin changed the initially written category imprint: Graphic ambiguousness; Differences between sources; Corrections & alterations issues: Inaccuracies in FE , Corrections in A , Errors resulting from corrections |