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b. 348

composition: Op. 31, Scherzo in B♭ minor

  in A (→FEEE) & GE2 (→GE3)

No markings in FC (→GE1)

..

In the main text we include the   markings written in A (→FEEE). Their absence in FC (→GE1), in which the pedalling of the eight-bar section encompassing this bar (b. 346-357) was also written by Chopin, is, according to us, a result of the composer's inattention (cf. b. 448-459).
In GE2 (→GE3) the pedalling was added on the basis of a comparison with analogous bars.

category imprint: Differences between sources; Corrections & alterations; Source & stylistic information

issues: Corrections in A , GE revisions , Authentic corrections of FC

b. 348

composition: (Op. 4), Sonata in C minor, Mvt IV

category imprint: Editorial revisions

b. 348

composition: (Op. 4), Sonata in C minor, Mvt IV

..

In the main text we add cautionary accidentals to the 1st chord in the bar, a  to a1 and a  to f2.

category imprint: Editorial revisions

b. 349-352

composition: Op. 21, Concerto in F minor, Mvt III

Slur in bar 352 in A (→GEFE)

Double slurs in bars 349-352 in EE

Single slurs suggested by the editors

..

Same as in all previous similar bars, we consider the missing slurs in the L.H. in bars 349-351 to be an inaccuracy of the notation of A (→GEFE), resulting from an increasing haste. Due to this reason, we add slurs after bars 1-3 and 25-27. In EE, in all four bars, arbitrary double slurs for each pair of dyads were introduced.

category imprint: Differences between sources; Editorial revisions

issues: EE revisions

b. 349

composition: Op. 21, Concerto in F minor, Mvt III

..

In the main text we omit the cautionary  before d2, present in all sources, yet unjustified in this context.

category imprint: Editorial revisions

issues: Cautionary accidentals , Last key signature sign