



b. 353
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composition: Op. 21, Concerto in F minor, Mvt III
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In the main text, we suggest adding an indication returning the regular course of music after a temporary halt. In this section of A, Chopin omitted a number of agogic markings, including all a tempo markings – cf. bars 313, 317 and 325. category imprint: Editorial revisions |
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b. 353
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composition: Op. 21, Concerto in F minor, Mvt III
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It is unclear how the two slurs in A are to be understood: their range is practically identical. Therefore, it seems that Chopin either wrote one of them by mistake or wanted to replace one of them with another. This is how it was interpreted in GE, reproducing only the top slur. We give this version in the main text, since all following similar figures have only one slur, mostly the top one. The absence of the slur in FE must be a mistake, corrected in EE, probably on the basis of comparison with analogous bars. category imprint: Differences between sources issues: EE revisions , Errors in FE , GE revisions |
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b. 353-354
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composition: Op. 21, Concerto in F minor, Mvt III
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According to us, the tie of b category imprint: Differences between sources issues: Errors in FE , Authentic corrections of FE |
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b. 353
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composition: Op. 11, Concerto in E minor, Mvt I
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In EE1, one of the naturals was misplaced, since it was put before the 1st note of the chord, a1 (which does not require a mark), instead of before the topmost note, which, consequently, should be interpreted as d category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors in EE |
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b. 353-354
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composition: Op. 11, Concerto in E minor, Mvt I
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The missing dashes marking the range of cresc. are most probably an oversight of the engraver of GE. category imprint: Differences between sources issues: Inaccuracies in GE |