



b. 316
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composition: Op. 31, Scherzo in B♭ minor
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In the main text we add a cautionary category imprint: Differences between sources; Editorial revisions issues: GE revisions |
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b. 316
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composition: Op. 44, Polonaise in F♯ minor
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In the main text we suggest a long accent due to the context, typical of such an accent, i.e. a long, syncopated note. In the absence of preserved manuscripts, we cannot verify whether this detail is compliant with the notation of [A], while in Chopin's pieces we encounter numerous examples of inaccuracies (sometimes quite manifest) in the reproduction of long accents by the editions (cf., e.g. the Prelude in F category imprint: Editorial revisions issues: Long accents |
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b. 316
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composition: Op. 2, Variations, complete
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The absence of the beginning of the slur the ending of which can be seen in a new line in bar 317 must be a mistake by the engraver of GE (→FE,EE). See bar 317. category imprint: Differences between sources issues: Errors in GE |
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b. 316
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composition: Op. 49, Fantaisie in F minor
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The category imprint: Editorial revisions |
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b. 316-318
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composition: Op. 49, Fantaisie in F minor
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In A and FE1 the naturals restoring d3, d2 and d1 in the 2nd half of each of these bars are missing. Chopin's patent mistake was corrected – perhaps at his request – in FE2 (→EE). By contrast, GE added a respective category imprint: Differences between sources issues: Omissions to cancel alteration , GE revisions , Errors of A , Authentic corrections of FE |