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b. 463-465
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composition: Op. 11, Concerto in E minor, Mvt I
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The ties at the transition between bars 463-464 and 464-465 are placed in the sources on the note head side, which invites to be prudent in their interpretation – in [A], they could have been motivic slurs. The latter do not seem to be necessary here, which is indicated by a comparison with the notation of bars 462-463 and 465-466. On the other hand, ties could have also been intended by Chopin, hence in the main text we add motivic slurs, but we do not remove the ties. category imprint: Editorial revisions issues: Placement of markings |
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b. 463
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composition: Op. 11, Concerto in E minor, Mvt III category imprint: Differences between sources issues: Errors in GE , GE revisions |
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b. 464
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composition: Op. 21, Concerto in F minor, Mvt III
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The missing dot extending the c1 crotchet is most probably a result of an oversight of the engraver of FE (→EE). category imprint: Differences between sources issues: Inaccuracies in FE |
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b. 464
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composition: Op. 16, Rondo in E♭ major
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The engraver of GE overlooked the staccato dot for E category imprint: Differences between sources issues: Inaccuracies in GE |
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b. 464-466
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composition: Op. 16, Rondo in E♭ major
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It is hard to state what led to the pedal release mark being placed two bar earlier in EE. It could be a mistake. category imprint: Differences between sources issues: EE revisions , Errors in EE |
mark. The mistake was rectified in 
.
