



b. 317
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composition: Op. 2, Variations, complete
..
As so many times before, the dots having been reproduced as wedges resulted from the simplified interpretation of the notation of A by the engraver of GE1. In this case, it is very difficult to notice the second one, since it is overlapped by the cresc. indication. category imprint: Graphic ambiguousness; Differences between sources issues: GE revisions , Wedges , Inaccuracies in A |
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b. 317
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composition: Op. 2, Variations, complete
category imprint: Differences between sources issues: Errors in GE |
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b. 317
|
composition: (Op. 4), Sonata in C minor, Mvt IV
..
The version of this bar visible in A is correctly written and completely logical, harmonically speaking. What is more, it exactly corresponds to the version of bar 108 (except for a different position of the chord at the beginning of the bar). Therefore, there is no reason to look for Chopin's mistake therein, which the reviser of GE (→FE,EE) tried to do, particularly since we are not dealing with any typical mechanism of Chopinesque mistakes – it is neither an overlooked cancellation of an altered note nor an omission of an accidental belonging to the current key. category imprint: Differences between sources issues: GE revisions , Errors of A |
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b. 317-318
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composition: (Op. 4), Sonata in C minor, Mvt IV
..
In A each of the three category imprint: Graphic ambiguousness; Editorial revisions issues: Long accents |
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b. 317
|
composition: (Op. 4), Sonata in C minor, Mvt IV
..
In the main text we omit the unjustified category imprint: Editorial revisions issues: Cautionary accidentals |