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b. 597-598

composition: Op. 11, Concerto in E minor, Mvt I

No fingering in FE (→GE)

Fontana's fingering in EE

category imprint: Differences between sources

issues: EE revisions

b. 597-598

composition: Op. 31, Scherzo in B♭ minor

in A

in FC & FE (→EE)

in GE

..

In accordance with the analysis of the Chopinesque  or  marks in this and analogous pairs of bars (see b. 6-7), in the main text we give the averaged, more or less one-bar hairpin of FC and FE (→EE). According to us, all hairpins, regardless of their actual length, are to be interpreted as long accents.

category imprint: Differences between sources; Editorial revisions

issues: Inaccuracies in FE , Scope of dynamic hairpins , GE revisions , Inaccuracies in FC

b. 598-600

composition: Op. 39, Scherzo in C♯ minor

..

In FE the dynamic hairpin is placed above the RH part, which  may be a practical solution applied by the engraver. The  mark is split into two parts dues to the barline of b. 599.

category imprint: Source & stylistic information

issues: Hairpins denoting continuation

b. 599

composition: Op. 11, Concerto in E minor, Mvt I

No slur in FE (→EE,GE1GE2)

Slur in GE3

..

The missing slur must be considered an inaccuracy in this place, even if it happened to Chopin in [A]. It is proved by slurs in subsequent bars, filled with typical, conventional (although not routine) figures. There is a similar situation in bars 607-608.

category imprint: Differences between sources; Editorial revisions

issues: GE revisions

b. 599-623

composition: Op. 31, Scherzo in B♭ minor

No markings in A (→FEEE)

Pedalling in FC (→GE)

..

In the main text we include the pedalling from b. 599 and 623 in FC (→GE).

category imprint: Differences between sources; Corrections & alterations

issues: Authentic corrections of FC