b. 597-598
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composition: Op. 11, Concerto in E minor, Mvt I
category imprint: Differences between sources issues: EE revisions |
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b. 597-598
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composition: Op. 31, Scherzo in B♭ minor
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In accordance with the analysis of the Chopinesque or marks in this and analogous pairs of bars (see b. 6-7), in the main text we give the averaged, more or less one-bar hairpin of FC and FE (→EE). According to us, all hairpins, regardless of their actual length, are to be interpreted as long accents. category imprint: Differences between sources; Editorial revisions issues: Inaccuracies in FE , Scope of dynamic hairpins , GE revisions , Inaccuracies in FC |
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b. 598-600
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composition: Op. 39, Scherzo in C♯ minor
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In FE the dynamic hairpin is placed above the RH part, which may be a practical solution applied by the engraver. The mark is split into two parts dues to the barline of b. 599. category imprint: Source & stylistic information issues: Hairpins denoting continuation |
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b. 599
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composition: Op. 11, Concerto in E minor, Mvt I
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The missing slur must be considered an inaccuracy in this place, even if it happened to Chopin in [A]. It is proved by slurs in subsequent bars, filled with typical, conventional (although not routine) figures. There is a similar situation in bars 607-608. category imprint: Differences between sources; Editorial revisions issues: GE revisions |
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b. 599-623
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composition: Op. 31, Scherzo in B♭ minor category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections of FC |