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b. 291-292
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composition: Op. 2, Variations, complete
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The version of the editions most probably resulted from revision and a mistake by the engraver of GE1 – after putting legato and the R.H. slur between the staves, there was no space left for the category imprint: Differences between sources issues: Errors in GE , GE revisions |
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b. 291
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composition: Op. 49, Fantaisie in F minor
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In the main text we add cautionary flats to d category imprint: Differences between sources; Editorial revisions issues: EE revisions , GE revisions |
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b. 291-293
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composition: Op. 49, Fantaisie in F minor
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Chopin most probably added pedal markings to A after [FC] had been finished, which explains their absence in FE (→EE). category imprint: Differences between sources; Corrections & alterations |
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b. 292
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composition: Op. 21, Concerto in F minor, Mvt I
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The division of the clear slur of A is a typical example of the manner of the engraver of GE1 (→FE→EE). In the main text we omit the additional slur over the quintuplet written in A – General Editorial Principles, p. 16. category imprint: Differences between sources issues: GE revisions |
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b. 292
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composition: Op. 11, Concerto in E minor, Mvt I category imprint: Differences between sources; Editorial revisions issues: EE revisions , GE revisions , Cautionary accidentals |
hairpin and the L.H. slur. He placed the hairpin under the stave and most probably forgot about the slur, which, moreover, was quite inconspicuous in 
1, d
before e2. The mark was added already in