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b. 368

composition: Op. 16, Rondo in E♭ major

leggieremente in FE (→GE)

leggiero in EE

leggiermente suggested by the editors

..

The form of that adverb used in FE (→GE) is wrong. In EE, the reviser replaced it with the adjective leggiero. Cf. also the Concerto in F Minor, 3rd mvt., bar 81

category imprint: Differences between sources

issues: EE revisions

b. 368

composition: Op. 16, Rondo in E♭ major

Staccato dot in FE (→EE)

..

The lack of staccato dot for E is probably an oversight of the engraver of GE.

category imprint: Differences between sources

issues: Inaccuracies in GE

b. 368-369

composition: Op. 11, Concerto in E minor, Mvt III

Pedalling in FE (→EE,GE1GE2)

Pedalling in GE3

..

The difference in pedalling between these bars and analogous bars 360-361 suggests an inaccuracy of notation in one of those places. However, since both pedallings sound very good, it is difficult to decide which one should be inaccurate. Due to this reason, in the main text we strictly preserve the notation of the principal source (FE), leaving the differentiation or unification of pedalling of those bars to the discretion of the performer. In GE3, the notation of the discussed bars was changed to the one given by the sources in bar 361.

category imprint: Differences between sources; Editorial revisions

issues: GE revisions

b. 368

composition: Op. 11, Concerto in E minor, Mvt III

Fingering written into FEH

No fingering in FE (→GE)

Fontana's fingering in EE

..

Like in analogous bar 360, the fingerings of EE and FEH are certainly compliant.

category imprint: Differences between sources

issues: Annotations in teaching copies , EE revisions , Annotations in FEH

b. 368

composition: Op. 16, Rondo in E♭ major

No slur in FE (→GE,EE1)

Slur in EE2 (→EE3)

category imprint: Differences between sources; Editorial revisions

issues: EE revisions