mUltimate Chopin

Op. 21, Concerto in F minor, Mvt III

Text Compare Notes Sources Description
A
Main text
½A - Semi-autograph
A - Autograph of the piano part
Morch - Manuscript of the orchestra part
GE - German edition
GE1 - First German edition
GE1a - Retouched impression of GE1
GE2 - Second German edition
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE1
EE3 - Corrected impression of EE2
compare
  b. 243-244

Tied g in A

g-a in GE

g-g-a-d in FE (→EE)

There is an evident non-compliance of the part of the L.H. in A with the cello and double bass sequence in Morch within ½A:
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In the version of GE, coming probably from Chopin, the harmonically inexplicable middle pedal note g was removed in bar 244. Chopin introduced full compliance of the bass sequence in the piano and orchestra in the proofreading of FE (→EE), which we present in the main text.

Compare the passage in the sources »

category imprint: Differences between sources; Corrections & alterations

issues: Accompaniment changes, Authentic corrections of FE, Authentic corrections of GE

notation: Pitch

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