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b. 233

composition: Op. 23, Ballade in G minor

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In A (→FE) this bar is at the end of a line; therefore, it should be marked that the clef is going to change to the bass one. A did not do it; however, a corresponding mark was added by FE.

category imprint: Differences between sources; Source & stylistic information

issues: FE revisions , Inaccuracies in A

b. 233-237

composition: Op. 2, Variations, complete

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In A there is no  restoring b2 on the last semiquaver in bar 233; both flats at the end of bar 237 are absent too. The mistakes were corrected by GE (→FE,EE,FESB).

category imprint: Interpretations within context; Differences between sources; Editorial revisions

issues: Accidentals in different octaves , Omissions to cancel alteration , GE revisions , Errors of A

b. 233

composition: Op. 2, Variations, complete

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As before, in the main text we add a cautionary  to g1. In this place, an accidental was also added by EE, along with another  to g2.

category imprint: Differences between sources; Editorial revisions

issues: EE revisions

b. 233-235

composition: (Op. 4), Sonata in C minor, Mvt I

L.H. long accents in A, contextual interpretation

Various accents in both hands in GE (→FE,EE,IE)

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According to us, the marks visible in A over the three L.H. minims are to be interpreted – despite the small differences in their shape and position – as long accents referring to these syncopated L.H. chords. The editions reproduced correctly (more or less) only the 2nd and 3rd mark as short accents under the L.H. minims. By contrast, the mark in bar 233 was assigned to the R.H. and, more importantly, moved a quaver earlier, which is clearly contrary to the A notation. A similarly placed, wrong mark is also in bar 234, in which the A accent was reproduced twice, once in the R.H., and once in the L.H.

category imprint: Differences between sources

issues: Long accents , Errors in GE

b. 233

composition: (Op. 4), Sonata in C minor, Mvt IV

Slur from in A, literal reading

Slur from f in GE (→FE,EE,IE)

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The interpretation of the slur adopted to the main text is based on the assumption that the slur is more or less symmetrical with respect to the notes it encompasses. Therefore, we interpret both ends as encompassing the outermost notes. However, as many slurs in the Sonata do not meet this assumption, the version of GE (→FE,EE,IE) can be considered an equal variant.

category imprint: Graphic ambiguousness; Differences between sources

issues: Inaccuracies in GE , Inaccurate slurs in A