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b. 9
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composition: WN 17, Polonaise in B♭ major
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In the main text we consider the pedalling of PE, which by all means seems to be authentic. category imprint: Differences between sources |
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b. 9
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composition: WN 17, Polonaise in B♭ major
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In JC, FEF, and PE, the 5th quaver f is not extended to the value of a crotchet. It is certainly a mistake (the notation's inaccuracy), as the necessity to extend stems from the presence of the tie sustaining this note to the minim f in bar 10. Moreover, in JC, the last quaver, f1, is written erroneously in a two-part form. FEF has a correct notation. category imprint: Source & stylistic information issues: Errors of JC , Errors in PE , Errors in Fontana's editions , Fontana's revisions |
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b. 9
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composition: WN 17, Polonaise in B♭ major
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On the 3rd beat of the bar we give a dotted rhythm after PE, based on the later autograph – [A]. category imprint: Differences between sources issues: Dotted or even rhythm |
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b. 9
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composition: WN 17, Polonaise in B♭ major
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In JC and EF, there is a category imprint: Source & stylistic information issues: Cautionary accidentals |
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b. 9-10
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composition: Op. 10 No 2, Etude in A minor
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The category imprint: Differences between sources |
before the last a1. This unjustified in this context sign is not included in 
in 
